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Jan’s Atomic Heart (АТОМНОЕ СЕРДЦЕ ЯНА)

Jan’s Atomic Heart (АТОМНОЕ СЕРДЦЕ ЯНА)
by Simon Roy
New Reliable Press, 2009

Frankfurt.
Some time in the far-ish future.

For a science fiction graphic novel set in the distant future, the world of Jan’s Atomic Heart seems surprisingly like our own: the moon may be colonized and people may telecommute as robots, but they still jog, go to egg restaurants, and drink lukewarm coffee.  While it obviously takes design cues from classic cyberpunk sequential art like Ghost in the Shell, the world Roy imagines is different from the Gibsonian dystopias of infinite darkness and a neon light flashing in a human face, forever.  It’s not steampunk, or biopunk, or magickpunk, it’s… normalpunk. (Please, kill me now.)  For all technology has changed, it doesn’t seem to have changed Jan, the titular human waiting for a new body after a car crash teleprojecting into an old android, his mysterious friend, Anders, or the society they find themselves living in. Continue reading

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the fringe files: 1×15, “inner child”

Okay, so hopefully I can start to do this a little more often now that things in my personal life have settled down.  That said, let’s talk about TV’s second-most-successful SF show right now, Fringe!  What with the traveling to alternate universes where Leonard “Belly” Nimoy stopped 9/11 or something and the consistent forgetting of plot elements it’s sometimes hard to remember that this show started as – and continues to be – an X-Files calque.

I’ll fill these in later as I go on, but let’s start with the fifteenth episode of the first season, “Inner Child.”  This was the first one to air after the mid-season break, and one of the first not to show any major X-Files influences.  But that’s not to say it doesn’t deal with ground that show dealt with fifteen years ago.

So here we are at “Inner Child,” which has all sorts of fun things – feral children (“Jersey Devil”), serial killers (any number of episodes of any show, ever), introduces the show’s good FBI vs. evil CIA stuff (the Syndicate), and creepy bald psychic kids (Gibson Praise).  The kid also looks a little like the flukeman, but that’s beside the point.   This episode also totally blows, which makes it a lot harder to talk about.  Unlike Gibson or that feral missing link kid the child found in this episode is portrayed as pretty much entirely normal, aside from the amazing abilities granted him by living in an underground rat-filled vault.  Aside, that is, from the fact that he looks like a tiny Observer.  Frankly, about the only interesting thing in this episode is John Noble dancing to Al Green’s “Love and Happiness,” the first of the show’s musical interludes – and, I think, a pretty big step in the development of the Walter character as he becomes more comfortably weird than he was in the beginning of the season.  Mostly a forgettable monster-of-the-week otherwise, though.



that post about defying gravity is coming i promise but
2009, November 19, 10:44 pm
Filed under: teevee

In the meantime, can we talk about the GOP website redesign (in beta! what is this, gmail)?  It pleases and distresses me infinitely that of the “GOP Heroes” on that page are all Rockefellerians.